MPEG-1
Audio Layer 3 - or MP3 as it's more usually called - was dreamed
up by a team of European engineers as they were working on the DAB
digital radio project. It is a method of recording and storing audio
digitally in such a way that each music track takes up considerably
less memory space than when using other types of recording (or 'encoding')
techniques.
The result is that a lot more music can be stored on a CD or on
the memory chip or miniature hard-disk of an audio player, such
as Apple's iPod, probably the best known of all the portable music players.
Lossy Audio Formats
MP3 is what is known as a 'lossy' compression format. Some of the
finer detail in the audio track is ignored and the remaining data
is encoded in a very efficient way so that the stored music retains
the essential parts that keep it sounding true-to-life, but it now
fits into a much smaller memory space.
While some clever psychoacoustic rules are applied to decide what
bits get ignored, it's unavoidable that MP3 (and other lossy compression
formats) will never quite match the audio quality of the original
sound recording.
Where maximising data memory is important (such as with small portable
devices), MP3 provides a good solution. But with a more revealing
playback system, such as a power amplifier and a good quality speaker
system instead of earphones, the limitation of the MP3 format becomes
more evident. This is especially true if you compare the sound with
the same music track played from a pre-recorded CD.
Portable MP3 players have revolutionised the way we listen to our
music as we travel on trains, planes and buses, walk, jog and even
while we work. More and more people, having put perhaps their entire
music collection on to their MP3 player, are then tempted to hook
the player up to their home and in-car system. It has become a very
popular thing to do. But these are first and foremost convenience
devices where sound quality is, to some extent, sacrificed for portability.
In particular, sound quality at the extreme ends of the scale (sub
bass and highs) will be noticeably less impressive than from uncompressed
CD recordings. The sensation of air and space around the musical
instruments and singers' voices tends to be lost. It simply doesn't
feel quite so 'alive'.
Adding your iPod or other MP3 player In-Car
So okay, MP3 and similar digital formats are not ideally suited to high-fidelity music listening,
but that clearly doesn't worry a lot of people. Its convenience wins out big time, and the
sound quality is good enough in normal use. Not surprisingly, many people want to
be able to use their digital music players in-car.
Several of the newer CD players have a 3.5mm stereo input socket or a USB connector.
If you have a cassette player in the car then you could buy one of the wired cassette tape adaptors, or
an FM modulator that allows you to tune the MP3 player to a vacant FM radio frequency slot (that way
there's no need to have a wire to carry the sound to the car stereo unit). Both these latter solutions
connect to the MP3 player's headphone socket (though some FM adaptors include iPod's 30-pin universal connector,
which is generally better if you have an iPod). These work okay, but not brilliantly
well - you'll lose a little more of the audio quality because of the way the sound has to either pass
through the cassette player's tape head or the FM radio tuner. Using Bluetooth A2DP can work quite well
and may win for its convenience, but you'll still lose some quality.
The best way is to use an adaptor designed to take the digital output from the iPod (via the 30-pin
connector) and inject it into your car's music system. These devices will often also provide some kind of
docking station for the player to fit on to, providing a secure mounting solution.
An increasing number of CD and multimedia in-car head units are "iPod Ready", meaning that the
iPod can be controlled from the head unit, with the iPod's music album/track information shown on the
head unit's display. Some will also play the iPod's video files on their screen, and allow the audio and
video signal to be sent to external monitors, in the rear headrests for example.
There are now lots of solutions for integrating portable music players electrically and physically in to
your vehicle. Ask your local InCar Expert for advice.